![]() Let’s say you are working on a project with a friend, and you add some reverb to an acoustic guitar part he recorded. Dereverbĭereverb is another great module for bedroom producers. Use Deconstruct on voices, reed instruments, and acoustic guitar to add a little bit of character. Use Deconstruct to bring out a guitar’s picking and fret noise, or to bring down the breathiness of a vocal track. Deconstructĭeconstruct has only three sliders, but can dramatically alter the properties of your audio. ![]() You can put it on a vocal chain as you are recording and it will continually adjust itself, or if you can add it after you are finished as well. RX 3 Advanced can run Denoise in real-time, and offers a module designed for vocals called Dialogue Denoiser. You can run a second pass on the leftover noise if the first doesn’t do the trick. Denoise offers a great deal of control to keep your recordings musical while filtering out unwanted sounds. RX 3 analyzed the noise and generated a noise profile to filter out that noise throughout my recording. I selected a noisy part of my audio, then clicked Learn. It can help minimize the noise from fans and electrical equipment you may get when recording in an untreated room at home. Denoiseĭenoise is a godsend for bedroom producers who can’t quite get that noise-free studio sound. Channel Operations has three other sections that give control over phase, azimuth, and channel mixing for fixing or manipulating a stereo file to your liking. The results vary from song to song, and are best when using a high-quality audio file. ![]() There are also a few parameters, such as reduction strength, which can be tweaked to minimize artifacts in the isolated part. The feature Extract Center is great for isolating vocals or instruments of a song for sampling or remixing. ![]() I’ve never used an easier tool for isolating instruments or vocals in a track. RX 3 Advanced allows you to set independent thresholds for the peaks and valleys of the waveform. Declip features adjustable threshold and makeup gain, and offers a Suggest button for those who just want a quick fix. This comes in handy when you are working with audio from an internet video or a take of a vocalist where clipping went unnoticed. Declipĭeclip works to rid an audio file of clipping by smoothing out the squaring that happens when a signal clips. The great thing about this tool is that, in addition to removing sounds, it can heal audio drop-outs as well. In Spectral Repair, you can see the problem sound and, like Photoshop, remove it with selectors like the brush and magic wand tool. You may make a great field recording of a bird singing, and when you get back to the studio you notice a car horn honking. When recording in an uncontrolled environment, you never know what sounds will be introduced. I’ve found Spectral Repair to be great for sounds recorded in public. It works on the spectral level–you can see the individual frequencies of sounds to pinpoint what needs to be taken out. Spectral Repair is a great tool for cleaning up specific bits of unwanted audio. In this article, Josh Spoon explores some features that can help you with your audio projects. But RX 3 can be used by music producers, DJs and remixers alike. IZotope‘s RX 3 is an Emmy award-winning audio repair tool, well known to broadcast and studio professionals.
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